Jean-Philippe Delhomme, an artist recognized for his distinctive illustrations, is embarking on a new phase in his career, moving from the commercial art world to concentrate entirely on painting. This evolution marks a significant shift from his celebrated work for luxury brands and institutions, such as The Mark hotel, to a more personal and introspective artistic practice. His journey highlights a deliberate choice to prioritize fine art, exploring themes of authenticity and reality in his subjects, and reaffirming his status as a versatile and evolving artist. This transition is further underscored by upcoming solo and group exhibitions, showcasing his dedication to this new artistic direction.
Delhomme’s deep connection to The Mark hotel is chronicled in a new volume from Assouline, titled The Mark, described by Izak Senbahar, president of Alexico Group and owner of the hotel, as a “love story.” Delhomme’s evocative illustrations were central to The Mark’s brand identity, especially following its 2009 renovation by French interior designer Jacques Grange. Senbahar aimed to transform the property into the world's premier hotel, a vision realized through collaborations with French talents like Grange and chef Jean-Georges Vongerichten, each contributing to the hotel's artistic tapestry. Delhomme fondly recalls this period as a unique opportunity, drawing parallels to the whimsical artistry of Ludwig Bemelmans, particularly the iconic Bemelmans Bar near The Mark, which he admired for its “witty and free” portrayal of old New York.
His work for The Mark, alongside contributions from artists such as Karl Lagerfeld and Vladimir Kagan, established the hotel as a symbol of sophisticated living. This esteemed commission was among Delhomme's final commercial endeavors before he fully committed to painting. Originating in the 1980s, his career saw him travel globally for various commissions, including posters, illustrations, and fashion editorials. However, the travel restrictions imposed by the 2020 pandemic prompted him to dedicate more time to his painting in France, marking a pivotal moment for his artistic development.
Since 2021, Delhomme has consistently held solo exhibitions with Perrotin, focusing on landscapes, still lifes, and portraits. He approaches his subjects with a journalistic eye, aiming to capture their individuality in moments of repose, a method notably showcased in his 2024 solo exhibition, “Model Resting,” at Perrotin Paris. He emphasizes capturing “a moment of truth,” seeking realness over posed fashion, as he invites subjects to his studio in their own attire. His work is currently featured in two group exhibitions in Paris, with solo shows planned for Tokyo and Shanghai later this year.
Reflecting on his past illustrative commissions, Delhomme expresses contentment with his decision to focus on painting. He cherishes the experience of working with The Mark, noting the project’s “humorous” and open-minded nature, which is a rare quality in high-level business. This period allowed him significant creative freedom, which he greatly valued. While he remains open to future opportunities, his primary commitment is to his current painting practice, which he finds deeply fulfilling.