Los Angeles Art Week recently captivated enthusiasts with a vibrant array of exhibitions across its satellite fairs, Felix, Enzo, and Post-Fair. Despite initial challenges like extensive queues at Felix and travel disruptions for New York-based gallerists due to a Nor'easter, the week underscored the resilience and adaptability of the art community. The fairs showcased a diverse spectrum of artistic talent, from emerging artists to established figures, reflecting a dynamic and evolving art market in Los Angeles.
The Felix Art Fair, known for its distinctive hotel-room setting, experienced a gradual start to its VIP opening, with attendees navigating long lines for entry and elevators at the Hollywood Roosevelt Hotel. Nevertheless, galleries like Althuis Hofland Fine Arts, participating for the second time, found early success with pre-sales and a steady flow of visitors. Jeanine Hofland, the gallery's founder, highlighted the positive reception to works by Masao Nakahara and Karel Dicker. Similarly, Tribeca's Dimin gallery, a first-time participant, reported promising sales from artists like Emily Coan and Michelle Im, underscoring the growing appeal of the L.A. market. The intimate setting of Felix fostered casual interactions and immediate transactions, as observed with sales like RF. Alvarez's painting at Megan Mulrooney's booth.
Meanwhile, Enzo, a nascent fair exclusively featuring New York galleries in Echo Park, carved out its own niche. Described as a 'potluck art fair,' Enzo offered a more experimental and less risk-averse environment for exhibitors, many of whom were also exhibiting at Frieze. Mathieu Borysevicz from Bank Gallery, a participant at Enzo, noted the significant contrast between the two, with Enzo providing a space for unique presentations such as Tim Crowley's futuristic paintings. Despite a quieter start, visitor numbers were anticipated to rise, signaling the fair's potential. New York's Post-Times, a first-time exhibitor, valued Enzo's curated selection and its distinct vision.
Post-Fair, now in its second year, emerged as a strong contender, challenging Felix's long-standing position as the primary alternative to Frieze. Housed in a former post office near Downtown Santa Monica, Post-Fair impressed with its curated selection of works from approximately 30 galleries. Chris Sharp, the founder, aimed to create an accessible platform with a transparent fee structure. The fair's sophomore edition saw an increase in museum group visits, a testament to its growing reputation. Despite market challenges, Sharp noted consistent sales and a vibrant atmosphere, indicating a sustained interest in the art market.
Ultimately, Los Angeles Art Week demonstrated the city's burgeoning importance in the global art scene. The collective success and unique characteristics of Felix, Enzo, and Post-Fair highlight a vibrant ecosystem where diverse artistic expressions find their audience, cementing Los Angeles's status as a significant cultural hub.